Longhorns on the Bed

A couple of years ago I participated in the first Quilt Shop Hop Across Texas.  I made it to about ten shops and thoroughly enjoyed myself in seeing parts of Texas that I hadn't seen before.  During that two day drive I picked up a couple of kits with Texas Longhorn themes.  One I put together and hated.  Fortunately it was very small and when I knew I was hating it, I chucked it in the garbage.

Fast Forward to this past November.  While packing for the quilting cruise I took I threw in a partially finished kit that I had started at the KAQG quilting retreat in September and finished most of the piecing on the cruise.  I was feeling pretty good about piecing something that had only aged a couple of years. It took until a couple of months ago for me to get it ready for quilting and (FINALLY), last week I got it quilted.  During the recent Walking Dead marathon I completed the binding.

For once, I am completely happy with the way a quilt turned out.  (Crappy picture below)

The original pattern was based on a Thimbleberries design called Christmas Tree farm which does not seem to be on the web.  The basic concept was to use related fabrics including one large print (the Longhorn center panel) as the focus to create a very simple quilt with a lot of pizazz. My version turned out to be about 50" x 70" which, from past experience, is the perfect size for one human and a Doxie or three to use for a cozy winter's  nap.

Lessons learned ... actually there is only one lesson I learned with this quilt.  The lesson is that for every quilt it is good idea to cut your final border fabric an inch or so wider than the final measurement.  This allows you to square up the quilt without losing any of the final width so that the proportions remain the same as what you had planned.  I must remember this because even long arm quilters appreciate that little extra wiggle room if needed.

Now back to The Walking Dead! 

Triangle Bag

Somewhere out there there is a leather handbag, lined with an exterior pocket and magnetic closure.  It is a great looking but simple bag and is produced by Maison Martin Mergiela. 

Go take a look at it here, I'll wait for you.

Fast forward several months, maybe years, and a sewer got a hold of the design and simplified it.  They produced a stunned looking canvas bag with a leather handle made out of cotton canvas.  It is not as fancy as the original bag but it is doable by the home sewer looking for a unique accessory.  A tutorial was produced and I had to try it.  My results were not as elegant but satisfactory.  I have used it a lot as a knitting bag and I am happy with that use. 

Here is the tutorial I used.

Then the other day, I saw, on Mark Lapinski's Facebook page, that someone else had come up with another tutorial for this bag...this time called the Origami Tote Bag.  it is a great tutorial but it essentially repeats the original one that I had used. The fancier tutorial is here and it inspired me to try this bag again.

Here is my latest effort:

It is looking a little bulky because I stuffed it with a quilt I just finished.

The fabric is heavy weight cotton, (almost canvas but not) that I purchased on a bolt from Danny Nyguyen's fabirc sale last week.  I like the polka dots and the heftiness of the fabric.  Doesn't it just cry out for some Zentangling or other little drawings in the circles?  I already have another bag that I color, when I remember to take markers with me, on long appointments so this a natural for me.

My bag turned out to hang about 22", about 15" across at the bottom and I boxed the bottom so it is about 4" deep.  I don't think that matches exactly the original bag but it's pretty darn close..

BUT I so would like one of the original bags just to have and use...and to figure out how they do the exterior zippered pocket and the actual sizes.

That will be for another day.

Coffee Breeze

I just finished another top from the Saturday Strippers group.  I think it is the first time I have actually finished the project, in the stated size, before a new project starts.  The project is from this book and is called Summer Breeze by Kim Brackett.  Except for one quilt, all of the projects in her books are easy to put together and are designed to use just one Jelly Roll and some background fabric.  Kim is great designer and writes great instructions.

( a Jelly roll is a collection of 21/2" by Width Of Fabric (WOF) strips of coordinating fabric sold by the manufacturer to quilt stores for fabric junkies like myself)

Here is my rendition of Summer Breeze:

The fabric I used was from a Jelly Roll by Timeless Treasures' Tonga batiks called something like Coffee Break.  The background fabric is a fake batik of gold, beige and pink.  I think it went together well, and, since my colors were not summery, I have called my quilt top Coffee Breeze.

I did make one adjustment to the pattern in that I used only one border and not two as shown in the pattern.  The reason for this is that I did not cut my fabrics efficiently and ended up with a lot of little bits that would have been a pain to piece for a border...so I didn't.

I love the top....about 60" by 44"...and I learned a lot about my piecing style during this process.  I noticed during our session that each person has a very distinct style for putting a quilt together when there is a clear plan from the designer. 

Some people cut out all the fabric required then piece each little bit separately.  For instance, in this quilt that meant making all the pinwheels first, then bordering each pinwheel, then making the striped blocks then sewing the pinwheel blocks to the striped blocks.  Then assembling each row then sewing each row together then adding the borders.  All of this activity is interspersed with many stops to iron their work and square up any anomalies.

My style is cut out some of the fabric, make a few blocks (usually about four), putting those four together, admiring my progress then repeating that until I have it ready for borders.  I finger press only when I need to and squaring up only occurs by ripping out the errant stitches and resewing.

I'm not sure which is the more effcient method but there is no difference in the outcome.

Kelis approves of my efforts and I can't ask for much more than that.

Dog Crate Cover

While browsing Facebook today someone posted a beautiful dog crate cover.  Immediately there was an outcry about how expensive they were.  Someone wished they had instructions to make one.  I offered to put instructions together....

  How to Make a Basic Dog Crate Cover

This cover will have a roll-up door covering and a side viewing roll-up window cover.  For the bed inside, I would just cover a pre-purchased bed in your chosen fabric.  A basic envelope style pillow/bed cover can be seen here -http://tatertotsandjello.com/2012/10/make-a-pillow-cover-in-4-easy-steps.html

Suggested fabrics –

Exterior - I believe that the best fabric is a cotton, light to medium weight upholstery fabric.

Lining - some contrasting cotton fabric in the same or lighter weight fabric.

Note:  Cotton upholstery fabrics seem to wash very well and hold a press for a long time.

Measurements –

Top – A Length ___________, B Width  ___________.

Side - A Length __________ (as above) , C Height ___________.

Cutting

1. For the top - Cut two A + 1” by B + 1”– One of lining fabric, plus one of the exterior fabric. (I am suggesting a two layer top to make the ‘roof’ a little more light proof.)

2. For the front door side - Cut two – B + 1” by C +1 ” – One of lining fabric, plus one of the exterior.

-          Cut four – 6” by C + 3” – straps – lining fabric

3. For the plain side – Cut one – A + 1” by C + 3” – exterior fabric

4. For the back – Cut one – B + 1” by C + 3” – exterior fabric

5. For the side with the window - Cut 2 – A/3 + 3” by C + 3” – exterior fabric

-          Cut  2– A/3 +2” by C + 3”  - one of exterior and one of lining

-          Cut four – 6” by C + 3” – straps – lining fabric

6. Label all the pieces.

Sewing – assumes ½” seam allowances and 2” hems

1. Layer the top pieces together wrong sides together.  And a layer of batting or interfacing if you wish.  Press, pin and set aside.
2. Take the plain side exterior fabric and join into one long strip with the rear fabric and one of the window side fabrics.  Join using ½ “seam allowances.  Serge the seam allowances to tidy them up or use some other durable seam finish – fold over and top stitch, cover with bias binding etc.
3. Fold the bottom up 1” inch, press, then fold up 2” and press again.  Sew the hem up
4. Fold the sides in ¼” twice.  Press and sew down these side seams.
5. Pin the raw, unfinished edge to the prepared top carefully matching the joining seams to the top corners.  Join together using ½’seam allowances.  Leave the seam finishing until the end.
6. Prepare the front roll-up door by completing the straps first.  Right sides together lengthwise sew the long edge together.  Turn right side out and press with the seam to the middle of one side.  Fold one short end ¼” twice and sew down.  Do this twice.
7. For the door, layer the exterior fabric right sides together with the lining fabric and sew three sides together – two sides and the bottom using a ½”seam allowance.  Turn right side out and press well.
8. Pin the two of the straps to the top, each ¼ of B in from the side, then the raw edge of the door pocket then the final two straps even with the first two straps.  Sew together using a ½”inch seam allowance.  Finish off the seam later.
9. Right now you have the door flap, the back and the right end of the window side attached to the top.   An appropriate adult beverage seems appropriate now.
10.  For the left end of the window side, fold up the bottom ½” and press.  Fold up again by 2”, press.  Sew the hem up.  Fold in the sides ¼”twice, press and sew down.
11. Pin the piece from step 10 to the top and attach to the top using a ½”seam allowance.
12. The sides for the window side of the cage cover are about 2” wider than one third the total length of the side so that the window side should not leak light.
13. Prepare the side window the same as the front door – steps 6, 7 and 8.
14. Finish the seam allowances at the top by serging or binding with bias tape or a French seam or a fake flat felled seam….your choice.

Place over your cage.  Roll up the windows and see if your pup likes their new home.

Note – This is all very basic and can be changed in a zillion different ways.  Add trims around the top, add an overlap on the front door side, add fusible appliques to the outside, add a lining to all the bits without it…and on and on and on.

I wish I could show you one all made up but I don't have a wire crate right now but I do have some great fabric!

BTW - share often but please give credit for the basic design where possible.

A Place For Everything

My organizing philosophy has always been centered around the maxim that every room needs a junk drawer.  When that drawer gets full then you must organize the contents to either get rid of useless junk (like the bread bag ties in the kitchen junk drawer that I will never use) or to find a new home for things that can logically go together.

Everything and anything can go in a junk drawer but groups of like things need their own space.

The same goes for things needed for specific activities.  Your purse (if you use one) is like a portable junk drawer.  It usually includes individual items that are needed while out and about but it also accumulates lots of things that have no place else to live.   My check book lives in my purse but I have rarely written a check outside the house in years. Lip balm is used at home, most of the time, but my purse attracts them lie flies to honey.

I have specific tote bags for my library books, my swimming stuff, my knitting projects (multiple bags!), the Quilt Guild Library records, the Quilt Show Garage Sale records and even a special bag for the dogs' medicines.

What I did not have, until the other day, was a specific tote bag for the Knitting in Kingwood records. I had been using one that was too big for amount of stuff I needed to take to each meeting and it was very awkward to use.

Determined to fix this lack, and armed with my knowledge from a class with Gilbert Muniz a few years ago, I created this bag that exactly fits all the stuff I cart around for Knitting in Kingwood.

What do you think?

For the big bag, I used my embroidery machine for the label, some outdoor fabric from JoAnn's for the exterior, some buckram to stiffen it up a little, some leftover cotton fabric for the lining and some fabulous leather handles I have been hanging onto for many years. The little white bag, which fits nicely into the bigger bag, is made from some felted wool and holds the little bits and pieces I seem to need at the meetings like membership cards, pens and others bits.

Best part is, is that I can pass on this bag to the next leader and they will have everything they need in one place and won't have to go searching for membership lists, the copier card or organizational rules.

While the rest of my life may be spiraling into chaos at least my KIK materials are organized.

Oops! Shawl

This tale began on my birthday when the Jaunty Janetta gave me a hand-spun, hand-dyed lace weight skein of yarn.  It came from the FJCruiser shop on Etsy, and although there does not appear to be any lace weight yarn in the shop currently, the other yarns are gorgeous, reasonably priced, in a variety of weights and the colors are exquisite.

Such a wonderful yarn deserves a wonderful bit of knitting and I found the perfect pattern on Ravelry called the Monica Shawl.  Here is the link and I really want you to skip over for a moment to get a gander at this great shawl.

Notice the large size, the variety of stitches and that lovely spiky outer edge.  Gorgeous, right?

Although the pattern is written for sock weight yarn, I decided to use my lovely lace weight present.  I knew it would be a little smaller than the original but it seemed like a challenge I could successfully meet.

Here is mine in the colorway Flipper:

Beautiful effort with lots of pattern changes BUT what happened to the nice spiky outer edge?  It seems that I finished off the outer edge with a too tight bind off thus the spikes could not be stretched out to make the lovely spikes.

RATS!

I wear this a lot now that the days are cooled but I am still disappointed with my effort.  Maybe I should try it again?

Yeah, in another life!

Lush and Plush

There are a whole series of fancy ribbon yarns out there that are meant to be joined together  into a lush boa-type scarf.  I made a white one a couple of  years ago and posted it here.  I wasn't happy with the white and thought I would dye it only to discover that a mostly polyester fiber really doesn't take dye very well.  I still have it in my scarf drawer and someday I will were it out.

But I digress.

The white scarf was made out of a yarn called Flamenco by Trendsetter Yarns and retails for about $17.00 a skein.  Not a bad price for a whole scarf  but a lot if you aren't happy with it.  Imagine my surprise when I was in Jo-Ann's the other day and saw a whole box of similar styled ribbon yarns price at $4.99 each.  Less than five bucks , especially after using a coupon, seemed like a great yarn for this type of scarf.  Here's how mine came out:

 The yarn is by Red Heart and is called Boutique Sashay.  The scarf is only six stitches wide and came out to about five feet long.  The color way is Tango and I am very pleased with the little bit of glitz in the yarn.  This one will definitely be worn..

I am glad that I did not read any reviews before I bought it though as there are lots of complaints about the quality of the yarn .. lots of complaints about breaks and worn areas.  Then again, this is not an heirloom piece so I don't expect to shed any tears if it falls apart after a few wearings.

This is great project to work on while riding in a car or watching kids' sports as there really is very little skill or ability to the knitting to get an acceptable product.

I did learn one thing while photographing this scarf.  I learned that the prickly vines really do hurt for a long time when they rub against your legs.  OUCH!  I will try to watch my step next time.

Urbanista Hobo

At the American Sewing Guild Conference last weekend I took a class with Cheryl Kuczek on handbag techniques and was introduced to her patterns at Paradiso Designs.  She is a good teacher and I so enjoyed her breezy style.  No hard and fast rules for her but suggestions on what is an easier way to do things or where you could skimp on supplies.  Her use of fake leather and suede and iron-on vinyl, while not unique, was a revelation to me in the variety of uses these materials could be put.  I picked up three of her patterns and a couple of days ago i made her Urbanista Hobo bag.

As is typical with Hobo bags it is fairly unstructured with a flat bottom and a lot of interior pockets.  No top closure is included but you could easily add one.  Here's what that pattern shows and this is how mine turned out:

The fabric is a juvenile  canvas weight print from Jo-Ann's and so is the fake leather (pleather).  The canvas was very easy to work with and how could I resist the puppies cavorting all over it.   I only made a couple of changes from the original pattern.  I turned one of the divided pockets in the interior into one large zipper pocket and I made the slots on the side for the handles into a simple welt pocket where Cheryl used a more complex construction.  The more complex construction would have meant using more top stitch thread than I had so I went simple.
The interior is dog bone fabric and a red bit of Kona from my stash.  Heck, even the zipper on the pocket on the right came from my stash.  I think the whole thing cost less than $10.00 in supplies and that was because I had to buy some sew-in fleece.





I had intended that this would replace my worn out library book bag (a heavy duty Scnlepp bag)  but now I am thinking it would make a great knitting bag or a great errand bag or....  There are a lot of possibilities.  Check out Paradiso Designs for some interesting patterns for both bags and other things.  I think you will be pleased.

itty-bitty hats

itty-bitty hats by Susan B. Anderson has got to be one of the best little knitting books I have ever used.  I recently got a copy as a door prize at a Knitting in Kingwood meeting and have been using it the past week or so to complete my Olympic challenge for myself.  That challenge was to knit a hat a night for the Head Start kids in Humble and this book has helped me accomplish that goal...at least so far.

This is a beginner book with nothing a beginner could not accomplish but with enough interest for the intermediate knitter.  About 80% of the hats are based on a simple beanie pattern and, although tedious to the experienced, every pattern repeats all the instructions for the basic construction.  No flipping pages to refresh your memory on how many stitches to cast on or how to make the crown shaping.  It is all there in every pattern.

It is spiral bound so it lays flat, the type face is clear, the pictures are adorable and there is enough inspiration to keep you going for a very long time.  There are about fifty pages in basic knitting instructions with lots of clear illustrations...perfect for those who want to get into knitting in the round without committing to a lot of different yarns and needles. One of the patterns is for a hat that looks like a frosted birthday cake that sent me off to a spiral variation that turned out very well.

All the yarn used is of the same weight so you can just go to your KYS and pick up a bunch of coordinating yarns and you are off to the races.  I made about ten hats from three balls of Plymouth Encore and here is how a couple turned out...

Cute, right?

The one on the right is the basic hat with a little i-cord topping while the one on the left is a variation from the book.  The one on the left is not to designed to cover a child's ears so you need to add some rows if you want that feature.  There is a bonnet style hat shown in the book that I have not tried but I can't believe it will be harder than the other styles.

I don't know if I will meet the challenge of a hat a day during the Olympics, now that the emphasis has moved onto the Track and Field, but this book is one I will keep using for many years to come as a jumping off point for many more itty-bitty hats.

And just for some comic relief...and since he rarely looks at this blog....here is a picture of a very shaggy Paul walking Alex.

Knitting A Long with KNOT

I belong to a couple of chapters of the Knit At Night Guild (KANG), one here in Kingwood (Knitting in Kingwood or KIK) and one in Spring (Knitters North of Town or KNOT).  Recently both groups have been doing KALs (Knit A Long) with various lace patterns.  The KIK KAL, which I am trying to facilitate I wrote about a couple of months ago.  The one we have been doing in KNOT I just finished.

Here it is:

I think it is gorgeous but it almost never happened.

Here's the back story.

It was announced that KNOT would be doing a KAL for the summer.  The pattern chosen was the Panda Silk DK Fan Shawl and we were all encouraged to try it out.  I was not impressed by the samples as they seemed way too heavy for me and the pattern looked like a bunch of little tiny bits(the fans) that were all the same.  How could this be a fun thing to knit?

I decided I would try another pattern and ordered a TON of lace weight yarn from Knit Picks - FIVE skeins of Gloss Lace Yarn  ... that's 2,200 yards of the stuff.  The color I chose was on clearance so I did get a break on the price BUT what was I going to do with all that yarn when the pattern I chose defeated me.  I won't share the name of the pattern I was going to try as it has completely left my home for its rightful pace in the recycling bin.

Instead of crying over an unfortunate purchase I decided to discard what I had already tried to knit up in the previous pattern, I gave one skein away for the KIK KAL, used up about one and a half skeins on this shawl and will use up the remaining two skeins making hats for the kids at the local Head Start Program.

Did you notice that I did not use DK weight yarn but something a whole lot finer - Lace Weight (on size 3 US needles if you care)?

Instead of this pattern being an icky picky knit, it was actually enjoyable.  The 29 row pattern was easily memorized and if you messed up the corrections would be easy, or, in my case I just kept going.  What's a stitch or two off between friends?

The big bonus for me was that I didn't have to join all the little fans together because it was all knit in one piece...by finishing one fan then picking up stitches from it to start the next.  I will admit there were a lot of yarn ends to clean -up but I think it was worth it.

Mine came out to about 70" long by about 24" wide... a nice size for the movies.

I can't wait to show the other members of KNOT that I got it done because it looks so different from the standard DK weight shawls most of them are doing.

Now I need to decide what to knit while watching the Olympics.  Last time I made socks...this time i think it will be hat for little kids from the  Itty-bitty hats book I won as a door prize at KIK the other day.

And yes, they will be mostly pink!

Milestones

Some days milestones in our life become millstones dragging us down.


I celebrated my sixtieth birthday a couple of weeks ago which is a great milestone in my life.  I think it can now officially say that I have fewer years ahead of me than behind me.  I still get up every morning feeling that everything that happens after I wake up is a bonus.  I still can't sing in tune, dance to any known rhythm or cook like a gourmet.


My birthday has lifted a great weight off my shoulders because now I feel like I don't have the time necessary to learn to sing in tune, dance to a rhythm or cook like Julia Child before the big blackout.  Huge relief!


In other ways, being sixty has set a couple of millstones on my back.  I think I should be wiser, less impulsive and more dignified in my demeanor. I realized that it just isn't going to happen when I came across a great project to mark my birthday.


In a recent issue of Cloth, Paper, Scissors magazine I came across an article on making Prayer Flags.  The article is full of inspirational flags and I decided to mark my birthday with my own version of prayer flags...not so much that the prayers would go to God for her help but that they would remind me of things that are important to me.


There are traditionally ten flags in two sets of five colors.  My interpretation went something like this:

1. Blue = space.. >the final frontier> rocket ship > seek > imagine
2. White = air....wind > explosion > breathe
3. Red = fire..  burn > cleanse > discard
4. Green = water ..  flow > wave > sooth > dance
5. Yellow = earth.... dirt > grow > bloom

Starting  with the ideas above, a base of marbled fabric that I had experimented with many years ago and thread that matched the prayer flag colors, this is what I came up with:


(Oops! Blogger is telling me i have run out of space event hough I am at only 52% of usge..  check out my facebook wall for an image  )


Yes, I only did five, but I can see them from my living room window and every time I glance that way, I think of the concepts shown, smile and another millstone falls off my back.  Who cares if I am not wise, less impulsive or dignified when I am sixty.  After all, I still have a few more years left, and they may come in time...or not!

When Life Gives You Lemons....

In this case, I could not find a suitable border fabric for my latest 1600" quilt.  In case you have forgotten, a couple of weeks ago I posted about the 1600'" Quilt I had created during a session of Saturday Strippers.  Here is the link if you have forgotten.

My problem was that I wanted a patterned fabric for a border and couldn't seem to find one that would work.  Of the three solutions I suggested then, I finally decided to go ahead and try to make my own fabric.

With that in mind I cut samples of three different black fabrics I had in the house and applied a little sprayed bleach to each of them.  Friends convinced me that one of them looked pretty good and I went off to make more.

I laid out the black fabric on the driveway and laid old clothesline, a dog tie out and some pine needles on it.  I then sprayed it with a 50% solution of bleach and water.

One hour later this is what it looked like.  I sprayed it a little more and proceeded to wait for more magic to occur.

 After two hours, this is how it turned out, with the ropes and pine needles removed.

After a quick bath in 1 teaspoon of sodium bisulfate (Pro Anti-chlor from Pro Chemical and Dye) and 2 1/2 gallons of warm water, to neutralize the bleach, I dried it on the clothesline 

I had used to make the patterns and strung up among the trees in the back yard.  Once dry, I applied it to the quilt top and this how it turned out:

I think it turned out well.  I am now looking for an opportunity to lay it out on a large surface for basting because I have lots of ideas on how to quilt it.

This bleaching technique is definitely something you should add to your skill inventory as it it is so useful when confronted with dull, solid color fabric.  The plain cotton curtain over the window of my back door is now covered in various loopy designs after I used a bleach pen on it and some wonderful bright pink rayon yardage ended up with a bunch of lemon yellow speckles after bleaching using a spray bottle.  And check out this wonderful little quilt where the leaves seem to be floating on air.

BTW Paul says this quilt is a little girly because there is some peach in one of the fabrics.  I guess I can keep this one for the dogs and me to use because we don't care if it's a little girly.

Lace KAL

Sometimes a random thought just takes over your life.

Nothing too loud or strenuous, just a little tickle that says...this is a good idea, you should try this, be a rock star.

Okay, maybe not a rock star, but I know you know what I am talking about.

The little idea was presented to me during a telephone call from another member of Knitting in Kingwood (KIK).  It had been suggested to her that the two of us work on a Lace Knit-a-Long (KAL) for KIK.  A KAL is when several individuals commit to knitting the same project at the same time.  It is a great way to stretch your knitting skills, learn a new technique and discover any potential problems with the pattern.  Our KAL would last all summer so it needed to be a little complex but not impossible for the average lace beginner.

My Long Sweater Jacket was a KAL.  Most people finished it in a couple of months.  It took me much longer but the comments from the other knitters really helped me to make something that fit me rather than too small like most of the other sweaters I saw.

Teresa and I looked for a pattern to use.  At first I thought we would use the Nancy Bush sampler scarf as the pattern but I found one in Love of Knitting that clearly would make a great KAL.  The pattern is called the Lacey Green Scarf by Ginger Smith and this is how mine came out:

Okay so it's not green but it is certainly lacy and it is a scarf.  The yarn is Shadow from Knit Picks. The Lilac color was a closeout and cost me less than $5.00.  I love the drape and I must admit that I am learning how to count these lacy patterns most of the time.  This pattern is well written though complex and you do need to pay attention to what you are doing.  Mine came out to about five feet long and eight inches wide at the ends to about six inches in the middle...and that taper was part of the pattern!

I did not notice any huge problems until I was blocking it out.  I discovered that I reversed a couple of rows which made one of the patterns a little wonky.  I probably should have re-knit that portion but my lazy side took over and now I just point it out to people.

Hey, this is a learning experience not a contest...right?
 
Why do I keep torturing myself like this?  Well, there is this little voice that keeps telling me to try something new, it's a good idea, you could be a rock star...at least in my little bit of the world where all things are possible, even wonky knitting passing itself off as lace.

The 1600" Quilt Revisited

Last October I wrote about the 1600" quilt concept.  If you don't remember that far back you can check it out here.

Go ahead and look at it now, I'll wait for you to get back.

That quilt was not a real 1600" quilt but it paid homage to the concept.

This past Saturday the Strip Club decided that we would all work on genuine 1600" quilt tops and even make it into a race.

The race part never really happened as we were very distracted by all the great food everyone came with including ribs from Sweet Sadie's.  Yum, Yum!

I did get my top done and this how it turned out:

This time I did use a real jelly roll of forty different 2 1/2" strips called a Bali Pop in the Coconut colorway.  It came out to approximately 66" x 50", a good size for a lap quilt but I wanted it to be a bigger 'snuggle up on the couch with two dogs' size.  So at the same time as I bought the Bali Pop I also bought a few possibilities for borders as all the batiks were on sale for $6.99 each... a real bargain these days.

Here's how the chosen border fabrics will not work with this quilt:

Actually I can't show you the border choices because Blogger and Google want to charge me for photo storage....WTF!

Take my word for it though, I am either going color blind or choosing border fabrics before a top is completed is never a good idea.

As my chosen border fabrics do not seem to be working I have two other possibilities I may try.  One is to border the whole thing in plain black with black binding so that it looks like a frame for the colorful strips.  The other is to experiment with bleaching out some of the black fabric that I have to see if any of it can be used as a wide patterned border of black and cream with a thin solid black first border and solid black for the binding.

Not sure how it will all work out but I am very pleased with how the top turned out and know that this will be a technique I will use again and again and again.

To Copyright or not to Copyright

....That is the question, at least for some designers out there.

Recently I have read a whole slew of postings about fabric designers saying that their copyrighted fabric designs cannot be used in anything that is sold for money.  I have also seen a bunch of quilt designers saying that their patterns are copyrighted and you can't make a quilt from their patterns and have it judged in a show without the designer getting full credit and giving their permission for it to be shown.   Can anyone out there make a quilt exactly as it was shown in a pattern?  If you can, then it is a copy so why bother making it in the first place?

As far as I know none of these issues has been litigated fully...that is a judge has not ruled on the legality of all these threatened lawsuits.

I decided to make my own test of all of the issues by making something based on a copyrighted design and see where it lead my not-so-legal mind.

I purchased the April 2011 issue of American Patchwork and Quilting because it had an article about Edyta Sitar... a recent guest of the Kingwood Area Quilt Guild.

Edyta designed a handbag that had some interesting lines in it so I decided to make a copy.

Here's how mine came out versus the original article:

Does my bag even look remotely like the one in the magazine?

Should Edyta get credit for designing my bag?

I believe the most credit she could get would be as an inspiration for my bag but even that would be a stretch as my bag is different than hers in the following ways:

I redrew and re-sized the pattern to meet my needs.
I used pre-quilted fabric rather than custom quilted fabric for the body of the bag.
I added interior and exterior pockets.
I eliminated the gathered embellishment.
I eliminated the gathered corners and turned them into tailored ones.
I did not hand apply the binding and used a double rather than single layer of binding.
I reinforced the handle with heavy nylon rope.

What about these other bags I have made that contain similar design points:

If I ever sold this bag would I need to get permission from all of these designers and pay them royalties for specific design elements?  And let's not forget that I bought the fabric at JoAnn's so maybe they should get credit as well.  And what about the threads I used or the old binding from the bottom of the stash?

I think you can see why I am so confused by all this craziness.

If you want to copy my bag, I have a pattern you can trace and I won't make you pay royalties but it would be nice if you gave me some credit somewhere sometime when you are become a big time handbag designer for Dolce and Gabbano.

Sock Knitting Master Class

No, I did not take a master class in sock knitting but I did buy a book of the same name that was written/compiled by Ann Budd, a knitting rock star.

The book is very comprehensive and you can find great information on all aspects of sock knitting.  It even discusses all the various ways to knit a sock with different tools... four or five double pointed needles, two circular needles, one circular needle and the magic loop method.  The DVD is pretty good and if you are a visual learner the DVD is a real bonus.

What I like is that the author is not married to a single method of knitting socks.  Every method I have ever heard of for top down and toe up knitting is included.  You can sample the methods and find what you like or dislike before committing to a full set of double pointed needles or short circular needles or more importantly, purchasing patterns or books using a particular method that you find out that you hate.

I tried out one of the patterns for toe up knitting by another knitting rock star Cat Bordhi.  Cat is known for her use of two circular needles to create her toe-up socks and the pattern also introduces Judy Becker's 'Magic' cast-on (not so magic, just tedious IMO) and Jeny Staiman's stretchy bind-off (good choice for the sock pattern I tried).  The pattern is called Pussy Willow Stockings.

This is how they looked in the book:

Very pretty!

Here is how one of mine looks:

Not so pretty but definitely adequate.  The yarn I used is from a company called Nako and is 50% wool and 50% acrylic so they should be very durable.  I like the variety of colors in them though the yarn had a tendency to split while I was working with it.  I have no idea where you could buy this yarn as I received it in a yarn swap this past Christmas and I see on the website that this yarn is made for the Turkish domestic market.

The instructions were well written though you really need to keep your eye on them or you could easily get lost.  As in most books like this, every pattern is by a different sock designer so you can get a good overview of each designer's style.  The pattern I used will probably lead me to seek out other patterns by Cat...though I will probably not use her two circular needle method of construction as I am addicted to my beautiful double pointed needles from Knit Picks.

If you want to sample different sock knitting methods this is the book for you.  It is not for the beginner for their first sock....that pattern would be the 100 gram sock pattern in this post.  I'm going to try some more patterns from the book as there are some other intriguing construction methods just itching to get on my needles.

Twinkle Quilt

I am so excited that I was able to actually finish a quilt this past week.  I started Twinkle, from the Kim Brackett book 'Scrap-Basket sensations', back in January and it has taken me this long to get it together, basted and quilted.  A long drawn out process but I think it was worth it.

It came out at about 70" square which is larger than the original design because I added two extra rows.  The fabrics came primarily from my South African indigo stash of fat quarters with the stars all coming from the same piece of fabric that had four shades of yellow in it.  That outer border was actually ordered over the phone from Stitchin' Heaven when they ran out of the fabric that I really wanted for the border.  I think it all works together.

A surprise for me was that the indigo fabrics only bled a little in the wash.  I used a whole handful of color catchers and they came out bluer than they were before but not solid blue.  The lightest yellow looks a little duller to me but my fears of everything turning blue seem to have been misplaced.

This Saturday is another meeting of the Strip Club and I think we are supposed to be working on UFO's.  I'm going to bring something that has been sitting in my to do pile for several years...another quilt but totally different from a something made from strips.

If you like the quilts I have made from this book, go buy the book.  I have to buy another one as I destroyed my copy with large cup of cup with cream and sugar.  What a sticky mess!

 And even if Alex likes this quilt it will not go into the bathtub with all the other doggie quilts!

Puzzled

About ten years ago I participated in a Block of the Month quilt program based on the Yikes pattern from Maple Island Quilts.  Every month I got a lot of fabric to make four blocks in a variety of large size basic block patterns.  Even if you don't quilt you have probably heard of Log Cabin or Courthouse steps blocks.

Here's how it turned out:

Pink, turquoise, black and white batiks made for a dramatic quilt and the construction allowed for any inaccuracies to be hidden by offsetting the rows.  I worked for hours on where to place each block but, in the end, Lady Jane (my Italian Greyhound then) mixed up the blocks so the placement ended up more random and less pleasingly placed.  I still love it for its energy and cheerful vibe.

I was about an hour from finishing up the quilt top when Paul saw it and asked for it for his bed.  He moved out a couple of months later and I haven't really seen it in many years.

Fast forward about eight years...

I was at his place the other day and saw it in a heap in the laundry room.  Thinking I would do him a favor, I decided to bring it home and wash it for him.  I dumped it in a heap on MY laundry room floor and went to let the dogs out.

THEY WENT NUTS!  Sniffing it, pawing it, rolling on it and exploring under it all the while wagging their tales and making general happy puppy sounds before they would go outside.  Good smells mean that Paul has been using it a lot or that someone doused in  'essence of beef'.

Imagine my surprise when Kelis, while trying to get out from under it, got stuck trying to crawl through a hole in it.

A HOLE!

Not just one hole BUT THREE HOLES!

I should not be surprised as the dearly departed Kimora chewed on everything she could when she was a puppy and I am sure these holes are her handiwork.

I am not distressed by the holes, they only show that the quilt has been well used over the years and, as I always say, I make utility quilts not heirlooms to be preserved for future generations.

But really... three holes seem a bit much.

So this weekend I will be trying to decided what to do about this quilt.

Here are the options as I see them:

1. Toss it out.  Not really an option a I still love it.
2. Carefully patch it to invisibly hide the holes.  This could take a very long time to find the exact matching fabrics and may never look as it did when brand new and, with my luck, Alex will chew a new hole in it just to show he can do it.
3. Patch it without concern for how it looks.  A black patch covering all three holes would make the quilt usable again but will not be very aesthetically pleasing.  Then again, a patch is a patch is a patch.
4. Cut out one big hole, bind the edges and make it a doggy door.  I am intrigued by this solution as it would give Alex and Kelis a new game.  Then again, with my luck, I would get my foot stuck in it  and rip a bigger hole. 

So, while I am getting some work done this weekend (cleaning, planting and de-cluttering) I will be puzzling over what to do with this holes.

And Bill, I will not use red to fix it!

The Last UFO

The Last KNITTED UFO (UnFinished Object) to be precise.

Why is this such a milestone for me?

In general, I tend to have about three knitting/crocheting projects going at anyone time.  Usually there is a pair of socks, a hat or scarf project and one bigger project (think sweater or complex lace) on my needles at any one time.  My theory is that socks are great for when I am being a couch potato, hats and scarves are great for knitting group gatherings and bigger projects are good for long movies or car trips.

There really is a method to my madness.

BUT, I must confess that the larger projects sometimes get hidden away because they become boring to work and I lose interest in them.

My last UFO was from a kit I purchased in Canada about six years ago.  Called the Sweater Bitz Kit it contained an ultra suede vest without sides and lots of various yarns so that I could knit up sleeves and side panels to make the vest into a jacket.

Seemed like a good idea at the time.  All the different yarns were cut into three yard lengths and the knitter was assured that there was enough yarn in the kit to make even the largest size provided.

After reading the instructions, I divided the yarns into two equal piles so that each sleeve/side combination would have similar yarns in them.  In a hotel room, with lousy lighting, I began this soon to be UFO.

What changed my enthusiasm from 'wow, I need to wear this next week' to 'let's just hide it away'?

THERE WASN'T ENOUGH YARN IN THE KIT TO FINISH THE KNITTING IN MY SIZE!!!

When I used up half the yarn in knitting one sleeve with side extensions I found that I needed about another 200 yards or so of yarn to finish it up.  I put aside the first sleeve/side and started on the second...just to see if I was wrong.  I wasn't.  Second side needed just as much extra yarn.

Into a bag the whole thing went and once in a while I would pick up additional skeins to finish it up.

A couple of weeks ago I committed to finishing it up and this is how it looks today:

The color correction is a little off as the pre-made vest portion is black, not dark grey.

I still have a little hand sewing to finish it up.  In the end I added a lining to the knitted portion to stabilize the stretch as the knitted part is quite heavy and would 'grow' over time.

The textures of the different yarns are wonderful but I don't know if I will ever finish up the hand sewing needed to finalize the sleeve and side side hems on the right side of the photo because I am not in love with this project any more.

To add insult to injury, the size I chose is a little small and I should have made the side panels a little larger for an attractive drape.

The company that packaged the kit no longer carries this item and the retailer I bought it from seems to have disappeared from the web soon after I bought this kit.  That should have been a clue!

I am now UFO free and intend to set up another set of three projects to meet every eventuality.  I already have one of the three dedicated to making hats for kids at the local Head Start facility for their Christmas Party later this year.  Three hats done already!  The other two will probably be a great sweater with a kangaroo pouch in the front, that I have been itching to start, and an interesting pair of cabled socks to round out the 'in process' pile.

No knitting/crocheting UFO's ...YEAH!

Zillions of sewing UFOs to go.  :-)

Trouble

NO, this post is not about Alex...even though his behavior sometimes defines the word.

This post is how I get myself in trouble.

Let me elucidate.

Several months ago, the bricks and mortar location of Sun Flower Quilts  closed and it has become a virtual store.

That's all well and good except that the store had a three day sale to reduce the inventory.  Since Sun Flower was my favorite store, I had to go to the sale.  While there, I picked up some pricey notions for cheap as well as some baskets and other little bits and pieces.

Here's where I got myself in trouble.

Abandoned on a bookshelf  was a kit for a little change purse with a frame closure.  (if you are unfamiliar with frame closures, see here.)  It was only a few dollars and included hard to find interfacing.

I have never tried this type of construction before so it was a no brainer to pick up the kit and fiddle with it.

I am now hooked on this type of purse making.

Yes, it is a little finicky and requires significant patience but the product is very satisfying...or at least it would be if I didn't get glue all over the fabric body of what I made....

The white haze is glue while the yellowish stain is something I can't identify (can!t blame Alex for this one!).  I had to add the beads as there was a perfect spot on the handle for them.  The whole thing is only three inches wide and the Japanese fabric I used is a discard from a another member of the American Sewing Guild (Thanks Carol!)

So now I am in trouble.

I want to buy a bunch of different metal frames and make a lot of these little containers of deep mysteries or a few coins.  The fact that I have many little bags to hold deep mysteries does not not seem to deter my fascination with this construction technique.

Heck, there is still room on the credit card.

Hmmmmm...

PS - In my defense, here is an example of something I will never make again as the product is totally useless -

Made from 1" covered button parts, it is supposed to look like a macaroon cookie but is definitely not good enough to eat.  Instructions are on the web someplace but I can't find them again...and I don't want to!